I’ve
always loved The Doobie Brothers because of Tom Johnston’s songwriting, but it
wasn’t until I saw them live that I realised that Pat Simmons and his
fingerpicking style is just as important to the band’s sound.
Simmons’ fingerpicking is most notable on their later hit single Black Water, but it’s all over this
album. The interplay between what he brings to the table, together with
Johnston’s voice and second guitar, really is the sound of The Doobie Brothers.
This debut is incredibly laid-back and it’s almost hard to believe that this
band would go on to record some really big hits throughout the ‘70s. They
almost sound too chilled-out to orchestrate anything as contrived as a pop
single, and perhaps that’s more the influence of producer Ted Templeman than
anything else.
Hit: Nobody
Hidden Gem: Chicago
Welcome to Vinyl Stylus, a blog about good music, and what makes music good.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Subscribe to:
Post Comments (Atom)

No comments:
Post a Comment