I’m
never been a huge fan of this band. I loved this album - and most of its
singles - when it came out, but then fame and success seemed to do something to
the band, and all of a sudden they started doing really lame stuff like singing
Handbags And Gladrags on talk shows,
sat moodily on stools.
In other words, they sold out. Their first album set themselves up as a rock
band in the vein of early Manic Street Preachers; then this album, their
second, pushed them over into the mainstream - mainly because of the five
Top-20 singles that were pulled from the album. Unfortunately Performance And Cocktails follows the
usual trend that record companies employ - stack all the singles on side one,
and stick all the filler on the flip-side.
I don’t think they were even on my radar until I saw them performing Just Looking on TFI Friday. Not a bad song, I thought. I then caught their music
video for The Bartender And The Thief,
and I was impressed. That song in particular speaks to the rocker in me.
I’m always sceptical about music videos and the role they play in music these
days, but the videos they made to promote this album are well worth a watch. The Bartender And The Thief pays homage
to the Suzie Q / entertaining the
troops scene of Apocalypse Now, Pick A
Part That’s New parodies The Italian
Job, I Wouldn’t Believe Your Radio
does the same for Easy Rider and Hurry Up And Wait takes inspiration from
M*A*S*H.
I regret not seeing the band in their prime, supporting Aerosmith in 1999 at
Wembley (I went to my first Glastonbury festival instead). I did catch them in
New Zealand a few years ago, at the Powerstation - a tiny venue compared to the
sort of places they would play in the UK. They might not have played Handbags And Gladrags, and they might
have been dressed in leather jackets, but they still played a few too many of
their catchy, post-2000, pop singles for my liking.
Hit: Just Looking
Hidden Gem: She Takes Her Clothes Off
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