It took me a while to really appreciate Jackie Brown as a film. Like most people, I was besotted with Pulp Fiction, and I saw the follow-up as
more of a letdown than anything else. Only upon repeated viewings did I realise
that it’s a much different beast, much more of a slowburner. I had nearly worn
out my VHS copy of Pulp Fiction by
the time this was released on video, so this took over as the go-to film I
would put on whenever Tarantino was in mind.
In terms of the music, even though I love the soundtracks
for his first two films I think this one gels the best of the three. Even
though there are a few departures (a Johnny Cash live performance and a rap
track from Foxy Brown), the album generally sticks to sickly sweet 70s soul.
Oddly enough, two of the songs on the soundtrack are relatively
famous from earlier movies. The film and soundtrack’s opening track Across 110th Street is the
title track from the 1972 blaxpoitation flick of the same name; whilst Randy
Crawford’s Street Life had already
been well used in Burt Reynold’s otherwise forgettable 1981 film Sharky’s Machine. Maybe Quentin thought
he could use these songs better. He did.
Hit: Across 110th
Street
Hidden Gem: Street Life
Hidden Gem: Street Life
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