The
1980s weren’t very kind to Stevie Wonder. Commercially, he did great - The Woman In Red soundtrack, Ebony and Ivory, Part Time Lover - but his critical successes were largely left
behind in the 1970s. I love his classic period, starting with 1972’s Music Of My Mind, and I’d put this
album, Hotter Than July, in there as
the final album of that run.
It’s a very happy album, and other than Happy
Birthday which sounds very ‘80s, the rest of the album stands up to the
best of his work on Talking Book or Songs In The Key Of Life. In terms of
songwriting, you could put any of these songs on those albums, and the only
thing that gives the album away as coming from a slightly different time is
that the synthesiser sounds are starting to sound a bit 1980s. They’re not as ‘jolly’
as the synth sounds from songs like Ebony
And Ivory, but you can sort of hear them going in that direction.
Looking at the album credits, Michael Jackson pops up as one of several backing
vocalists on All I Do, although you
can’t hear it’s him. As usual Stevie plays most instruments on most of the
songs - all keyboards, drums, and of course vocals. You get the idea that if
Stevie Wonder walked up to your house and rang the doorbell, it would be the
funkiest sounding time you’d ever hear it ring.
Hit: Happy Birthday
Hidden Gem: Master Blaster (Jammin’)
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