It’s
funny how your perception changes as you get older. I used to love this album
when I first heard it - strangely after
I had been introduced to Indie and Britpop (as it would have made more sense to
have been into this when I was a fully-fledged rocker). I used to think this
was a very edgy, attitude-driven album - but it sounds a bit tame these days.
When I first got into music and all I was interested in was rock, I used to
read the likes of Kerrang! and Metal Hammer and I would see mention of
the Manics all the time, but I hadn’t heard anything by them. I did have a rock
compilation and Motorcycle Emptiness
was on it, and it’s such a slick song that it’s no wonder that I wasn’t drawn
in by it.
I remember I used to be able to get free tickets to gigs at The Academy and the
three Manchester University venues, through a friend of the family. Once I was
given tickets to see a band - I think
it was The Almighty - and for some reason the ticket I was told to use was a
Manic Street Preachers ticket to a gig at the same venue that had been
cancelled. The ticket had a big black mark drawn on it. It got me into the gig
fine, but I later worked out that it must have been originally for a gig
cancelled when Richey Edwards disappeared in 1995. Using that cancelled ticket
for a gig by a different band was probably the first time that the Manics came
onto my radar.
I can’t remember what turned me onto them big time - it definitely wasn’t the
‘comeback’ album, Everything Must Go,
that came out a year later. I didn’t appreciate that album at the time (too
Indie / Britpop for me at the time). Whatever - or whoever - it was that turned
me onto them did something major. I became obsessed with the band - well, with
their first three albums anyway. I did eventually start to appreciate Everything Must Go, and I was probably
besotted with the band the most when This
Is My Truth Tell Me Yours was released.
I used to listen to this album - their debut - repeatedly while walking into
University in my third year. It made a bit of sense walking through the red
light district of Huddersfield (where the Yorkshire Ripper had picked up some
of his victims), listening to some of the lyrics of this album. Although I like
the out-and-out rock of this album and its follow-up, Gold Against The Soul, it’s really their third album, The Holy Bible that got to me. I’d put
that album into my top-5 albums back then, and it’d still be in my top-5 now.
Generation Terrorists has one major
drawback - and that is its length. It’s a double album - the band initially
said they’d release this, their masterpiece, headline Wembley Stadium for one
night, and then split up. The album would make a killer single disc (and a heap
of decent b-sides), but there’s really too many average songs towards the end.
Hit: Motorcycle Emptiness
Hidden Gem: Nat West - Barclays -
Midlands - Lloyds
Welcome to Vinyl Stylus, a blog about good music, and what makes music good.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Showing posts with label 1992. Show all posts
Showing posts with label 1992. Show all posts
Saturday, July 21, 2012
Rocks In The Attic #108: Manic Street Preachers - ‘Generation Terrorists’ (1992)
Sunday, July 1, 2012
Rocks In The Attic #91: Gloria Estefan - ‘Greatest Hits’ (1992)
I
remember having a tape of Gloria Estefan songs that somebody gave me when I was
in my first year of secondary school. It never seemed to make sense, and I
guess that’s because ‘Oldham’ and ‘Latin Beat’ don’t really go together in the
same sentence. This album should make a bit more sense now I’m no longer
land-locked and living in a coastal environment, but I think it would only make
sense if I drove a Ferrari and worked as a detective in Auckland Vice. That
sounds like a TV series I hope they never make.
The upbeat stuff on this album is pretty good - especially the early Miami Sound Machine material - but the ballads could have been written and performed by anyone.
Hit: Rhythm Is Gonna Get You
Hidden Gem: Dr. Beat
The upbeat stuff on this album is pretty good - especially the early Miami Sound Machine material - but the ballads could have been written and performed by anyone.
Hit: Rhythm Is Gonna Get You
Hidden Gem: Dr. Beat
Saturday, June 9, 2012
Subscribe to:
Posts (Atom)


