Whistler
are an acoustic trio, put together by ex-EMF guitarist Ian Dench.
I came across this band when they were supporting Wiiija labelmates Bis at a
gig in Leeds. I then saw them a few nights later in Manchester, on the same
tour and finally on the acoustic stage at Glastonbury that summer.
It’s definitely nice music - I don’t think anybody would disagree with that -
but Kerry Shaw’s posh voice does grate on some tracks. Singing clearly and over-enunciating
every word isn’t a great idea when you sound like you come from the privileged
classes. The songwriting is very good on this album though, good enough in most
cases to ignore Shaw’s vocals; and there’s a massive influence of Nick Cave on
this LP, which is why I like it.
Hit: Don’t Jump In Front Of My Train
Hidden Gem: The End
Welcome to Vinyl Stylus, a blog about good music, and what makes music good.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Showing posts with label Leeds. Show all posts
Showing posts with label Leeds. Show all posts
Friday, August 3, 2012
Saturday, April 28, 2012
Rocks In The Attic #5: Bent - ‘Programmed To Love’ (2000)
I love this album. I was turned onto it by Danny, a mutual
friend I enlisted to help me DJ on Saturday nights at 38 Bar (now The Castle)
in Oldham. Danny would forever be known as Danny Beetle in my circle of friends
due to his very nice original (and restored) VW.
I started off DJing purely with old 60s and 70s rock,
complimented with some contemporary stuff like Supergrass, Radiohead and the
Super Furry Animals. When Danny started DJing with me, his taste in electronica
and downbeat rubbed off on me.
I remember seeing Bent play in Leeds as they were touring
this album. They were joined on stage by Zoe Johnston, who sings Private Road and Swollen on the album. She stuck around to the end and sang the lead
on Always - perfectly recreating the
Nana
Mouskouri sample that appears on the album.
Looking back, it was probably one of the best gigs I’ve ever
been to. Just a nice atmosphere (the two members of Bent, and Zoe Johnston,
were hanging around and talking to the audience before and after their set),
and although there weren’t that many people there, it just felt like a shared
experience. When I got home, I put the album on in my bedroom and, still living
with my parents, listened to Always through
my headphones.
This album stayed with me so much, I eventually turned my
future wife onto it, and when compiling a CD of songs that meant something to
each of us, to hand out at our wedding, I put Always on at the end.
I regret not seeing Bent play live again, or even checking
out their albums after this one. All I have is this, a couple of 12” singles
from this album, and the EP they released next. Given the number of times I
went to Glastonbury following the release of this album, I’m sure they would
have played there. I missed them if they
did.
Note to self: check out more Bent !
Hit: Swollen
Hidden Gem: Always
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