The
first of Stevie’s classic period, this is actually the second album where he
was given full artistic freedom. There’s still a feel of him regarded as a
Motown novelty on the album before this, Where
I’m Coming From, but on Music Of My
Mind you can start to hear him branching out.
This album doesn’t have any of the big hits that his follow-up albums have, so
it always tends to get overlooked. It arguably has the best cover of any of his
classis albums - a close up photograph of Stevie wearing mirrored Aviators,
with a couple of random images in the reflection of each glass. Unfortunately,
some of the covers of his later, more well-renowned albums have dated quite
badly - (and obviously he isn’t responsible for that aspect of his career).
Hit: Superwoman (Where Were You When I
Needed You)
Hidden Gem: I Love Every Thing About
You
Welcome to Vinyl Stylus, a blog about good music, and what makes music good.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Showing posts with label Tamla Motown. Show all posts
Showing posts with label Tamla Motown. Show all posts
Saturday, June 30, 2012
Saturday, June 9, 2012
Rocks In The Attic #59: Jr. Walker & The All Stars - ‘Greatest Hits’ (1969)
Another
one of my Dad’s (I think). This one’s a Tamla Motown record, and features the singles
of Jr. Walker & The All Stars - a very overlooked artist in the Motown
canon - released between 1965 and 1969. It’s incredible how well known their debut single Shotgun is. It’s one of those soul songs you’ve heard a million times, in films and television especially, but you might not know who performs it. Many of the songs are driven by Walker’s saxophone, but there’s something very Steve Cropper about guitarist Willie Woods, and his licks are as funky as anything.
Hit: Shotgun
Hidden Gem: Cleo’s Mood
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