I’m
guessing this isn’t one of Dylan’s favourites. Although - and maybe because - there’s only a few Dylan
compositions on here, most of the album doesn’t really fit with his later
albums. It’s almost as though he hadn’t worked out to be the enigmatic,
mysterious folk singer that everybody knows now.
There’s a whole lot more fun on this album than on later ones - he spends a few
moments whooping and hollering on some of the songs (especially Freight Train Blues), which sounds out
of character with the serious personality he would become. The liner notes
explain that one of his strongest influences is Charlie Chaplin, and that he
would borrow some of the actor’s gestures on stage. That sounds pretty terrible
- but I guess this influence manifests itself in something like the ‘music
video’ that accompanied Subterranean
Homesick Blues.
There’s not really a ‘hit’ on this album - but plenty of songs that are
familiar in retrospect. Probably the most famous song on here - his cover of House Of The Risin’ Sun was made
world-famous by The Animals two or three years later. Similarly, In My Time Of Dyin’ was popularised by
Led Zeppelin on Physical Graffiti,
and the song Highway 51 suggests that
Dylan was listening to the same vein of blues that Jimmy Page would later base
his supergroup around.
Hit: House Of The Risin’ Sun
Hidden Gem: In My Time Of Dyin’
Welcome to Vinyl Stylus, a blog about good music, and what makes music good.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
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