Although
essentially this is where the rot set in for Aerosmith - when they started to
employ outsiders as songwriters - this album also marks their revival to the
second age of their career. It’s a cracking album - a little too much of its
time, so I don’t know how it will sound in 10 or 20 years - but it’s got a
level of energy that was unheard of from the band up to this point.
This album also hints at their penchant for novelty songs - Dude (Looks Like A Lady) would soon be
joined by the likes of Love In An
Elevator and Aerosmith would forever be associated with the crazily titled
rock song, and for a whole new generation of rock fans (and subsequent
generations), this would be the only thing they would know the band for.
This album - or more truthfully, the promotion for this album - would also be
the first time they would have great success with music videos, storming their
way into the party held over at the house of the MTV generation (their parents
must have been out of town). The videos that accompany this album are all very
enjoyable (well, Dude and Rag Doll are - I still can’t take the
video - or the song, for that matter - of Angel
seriously), and at least the band look relatively young. Young enough not to
look too much out of place hanging around with hot chicks half their age
(compared to now where they’ll star in videos with hot chicks a quarter of
their age - ugh).
Years after first hearing Hangman Jury
- the band’s one and only real jaunt into roots music - on MTV Unplugged and
loving it, I was lucky enough to see the band play it live in Dublin, with the
intro played just by Tyler and Perry on acoustic guitar and harmonica, sat at
the end of the ego-ramp, mere yards away from where I stood. Fantastic.
Hit: Dude (Looks Like A Lady)
Hidden Gem: Hangman Jury
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