Although
this album is starkly minimalist and deals with pain, anger and isolation, I
find it to be a really chilled-out album. Of the four debut solo albums by the
recently split Beatles in 1970, this is probably my favourite, closely followed
by Ringo’s Sentimental Journey.
McCartney’s debut is too childlike and home-made; and Harrison’s All Things Must Pass is too
self-indulgent, warranting a lengthy amount of time to sit down and listen to
it in full.
I can definitely imagine relaxing to this, with a joint, on its release - but
like most people I would probably have been a little let down with its unBeatleness. All of the four albums are
as removed from The Beatles as possible, with each member trying to escape from
that shadow, but Lennon’s album sounds to me to be the furthest away.
Although McCartney’s album sounds like a hastily assembled bunch of demo
recordings, Lennon’s album sounds more mature - and even though there is a very
minimal arrangement and production, it doesn’t come off as sounding infantile
like his former writing partner’s debut offering.
Hit: Working Class Hero
Hidden Gem: Look At Me
Welcome to Vinyl Stylus, a blog about good music, and what makes music good.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
Here, you'll find Rocks In The Attic - a disc by disc journey through my entire vinyl collection.
In a world full of TV talent shows, greatest hits CDs and manufactured pop, take a stroll through something that's good for your ears and good for your soul.
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